Etching at Royal Drawing School

Etching at Royal Drawing School

The last year has been particularly though on me. For some various little issues I wasn’t able to keep up with my studies the way I wanted to.

However I kept my passion alive by attending a printmaking course from September to December, at the Royal Drawing School in London. This short course touched 5 different techniques, mainly involving etching: hard and soft ground, aquatint, sugar lift and drypoint.

Here I share some of the works produced during these few lessons.

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Soft ground etching on zinc

 

 

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Drypoint on copper
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Drypoint + hardground etching on copper
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Sugar lift on aluminium

I was really amazed by the range of results achievable with printmaking and the idea of how many of them are yet to discover, is just the best motivation I could ever find.

The London Illustration Fair 2015

The London Illustration Fair 2015

Yesterday I have been visiting the London Illustration fair, which is taking place until tomorrow, the 6th of December, at Bargehouse/OXO Tower, South Bank.

It was a great way to really open my mind, get inspired and to realise how things are working when it comes to business.

The venue was inspiring itself and I was really amazed by the huge amount of people that were visiting the fair. It really encouraged me realising that there is a lot of people who is passionate about illustration, art and graphic design!

I was particularly fascinated by the works of the Spanish artist Cristina BanBan. I literally fell in love with her acrylics on paper, so simple and direct, sinuous and feminine, reminding me of those beautiful Japanese prints I love.

I really wouldn’t stop staring at those amazing pieces and I managed to get a printed version of one of her works.

I went home with a great deal of motivation, feeling enriched by this experience and holding a beautiful piece of art I can keep looking when I need inspiration!

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Cristina BanBan – 2015

 

Exercise: Museum posters

Exercise: Museum posters

For this exercise I chose to work on a small Museum I discovered recently, which is situated in the rooftop of a church in London Bridge area, right next to the Shard: The Old Operating Theatre and Herb Garret. As you enter the museum, you step in a timber framed rooftop where herbs where desiccated and kept for medical purposes; you can also access the oldest operating theatre in Britain, built in 1822, where surgeries and dissections were operated under several dozens of eyes.
The collection basically consists of medical equipment, from instruments to containers, of human specimens and of medical archive material.
I visited the museum and after exploring it I took pictures to document the collection and to record the interesting visuals I wanted to remember.
When back home, I started brainstorming on the ideas which could interest the different audiences the exercise asks to produce illustrations for.

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I thought the major purpose, common to all three of them was to inspire curiosity. I thought in fact the kind of collection and even the location of this museum has a particularly high potential.
For the children poster I chose a mortar, particularly because I found in a corner of the museum a recipe for a curious syphilis’ remedy which I thought could be interesting in a kid visual. The recipe mixes snails, to worms and herbs and it is called ‘Snail water’. I chose the mortar as a symbol of the former medications’ making process.
The object I chose for the teens poster was one of the surgeon’s instruments, particularly the saw.
I thought this could interest teenagers because of its creepy role in the surgery practice of the time.
I later chose to consider a whole set of instruments because of its resemblance to a carpenter’s one.
The adults poster its based on a picture I took of one of the museum’s windows. The object related is an old glass bottle containing anaesthetic. I thought an adult audience could be particularly interested on the development of anaesthetics and on the management of the pain before their discovery.
I tried different ideas through thumbnails and once decided, I quickly sketched my final ideas in bigger thumbnails, trying to position the text as well.

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I then made final sketches, from where I copied the outline for my colour visuals.

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The children poster final arrangement sees a character in the foreground: a shocked snail has approached the mortar and discovered she is part of the recipe on the book behind it. On the table only few other elements, an herbalist scale and a candle. I tried to chose colours which in my opinion suggest a mystery and magic feeling, as the old medicine was strongly connected to magic beliefs and superstitions.

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For the teens poster I selected the most ambiguous surgeon’s instruments and placed them as we are looking into one of the typical velvet lined wooden boxes. The text questions: Carpenter’s tools kit?The answer and the red background, suggest a different use of it.

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The adults poster sees a human skull placed between glass bottles of anaesthetic, as a clue to the risks they were bringing as poisonous elements poorly investigated. I kept the composition of the picture took at the museum as I thought it was very interesting and made me think of the era when pain was a main problem, something today we are totally unused to think about.

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In the making of those posters I noticed one big difference between the kids’ poster and the other two: when thinking of an image attractive for kids, I made the image describe an action through a character, while the other two images rely much more on the text to give the complete message. I thought it was very interesting and made me think a lot on how kids are more immediately influenced by pictures, particularly the ones who cannot read yet.
I think that even having different subjects, the posters are like a family because the images respond to a style (in its early stages!) and also because I used the same lettering and layout when stating the museum name. I think this is very important to understand that the posters are representing a specific unique place.

I chose to produce a final work for the adults poster using watercolours, which I thought would be the most suitable to picture the glass bottles.
I completed the poster on photoshop by adding a coloured strip as a base for the lettering. I chose the fonts which gave me that ‘old printed books’ feeling.

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I pretty satisfied with the results and even though I am still experiencing a lack of skills regarding visuals and particularly colour visuals, I feel I made some progress.